Ethnologies

 

DANCE IN CANADA

30-1, 2008

Marcia OSTASHEWSKY, Sherry JOHNSON, Kristin HARRIS WALSH
Introduction

Mary Channen CALDWELL
“The Place of Dance in Human Life”: Perspectives on the Fieldwork and Dance Notation of Gertrude P. Kurath

Andriy NAHACHEWSKY
Folk Dance Revival Strategies

Jillian STANIEC
Remain True to the Culture? Authenticity, Identity, and Association of United Ukrainian Canadians Sponsored Dance Seminars, 1971 to 1991

Sarah QUICK
The Social Poetics of the Red River Jig in Alberta and Beyond: Meaningful Heritage and Emerging Performance

Nicola MOONEY
“Aaja Nach Lai [Come Dance]”: Performing and Practicing Identity among Punjabis in Canada

Kristin HARRIS WALSH
Irish-Newfoundland Step Dancing and Cultural Identity in Newfoundland

Bridget CAUTHERY
"If not a shaman, then what?" Margie Gillis and Trance

Katherine CORNELL
Seeing and Experiencing Chouinard: The Body Language of the Spectator

THE SOCIAL POETICS OF THE RED RIVER JIG IN ALBERTA AND BEYOND
Meaningful Heritage and Emerging Performance

Sarah Quick
Indiana University

saquick@indiana.edu

The Red River Jig is a fiddle tune and a dance form that have particular resonance for First Nations and Métis peoples in Northern and Western Canada. Here I follow the dance form’s practice across diverse settings in time and space. This article is a part of a larger project in which I am analyzing the nexus of Métis identity, performance, and heritage; using Michael Herzfeld’s concept of “social poetics” (2005) to gauge the Red River Jig not only as a representative form of Métis heritage, but as a performative form that emerges in social interaction. Here I first chronicle its performance through time and then describe its form and manners of learning this form in contemporary contexts in Alberta and Western Canada more generally. Finally, I examine the Red River Jig, or aspects of the Red River Jig, emerging in other dance forms as well as other performative circumstances beyond the categorical boundaries of music and dance to consider the social poetics of the Red River Jig within greater spheres of practice.

 

 

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